Bridal Fashion Week: Andrew Kwon Bridal Collection

Andrew Kwon, a Korean American designer, always imagined dressing women on the red carpet. The pandemic forced him to shift his focus to bridal. fashion.

“I knew I would do bridal one day,”Mr. Kwon, 25, a Colorado Springs native, arrived in New York in 2014. “I also knew I couldn’t sit at home waiting for Covid to go away. Brides were still going to get married. The weddings might be smaller or they would be postponed, but they needed their red carpet moment, which is walking down the aisle.”

Mr. Kwon spent several months reflecting on his life, and then he got creative. He had six dresses and two veil by December 2020. His first bridal collection, Reminiscence, debuted at the Council of Fashion Designers of America’s Runway360, a digital platform for designers to release their collections through videos and look books anchored around New York fashionWeek of the Bridal.

His second collection, Dreamer, will be available this fall. “I’m a dreamer and everyone deserves the chance to believe in themselves,”He said.

In preparation for the release of his 11-piece collection, Mr. Kwon shot an outdoor photo and video shoot at Untermyer Gardens in Yonkers. The collection will be featured again on Runway360, Oct. 6. Private appointments can be made at his studio, in the garment district, upon request.

What inspired you to design bridal?

My mother was remarried to me in 2016. I can still recall the emotions my mom felt when she was walking down the aisle. The hardships she went through, the new chapter she was entering, the light at the end of the tunnel for her — it was an incredibly inspiring experience for me. I wanted to share that strength and resilience with other women.

What makes your wedding design different from other designs?

I’m creating a visual story. There’s a story in the dress and the one the bride tells. When these two stories come together as one, that’s when the magic happens. My designs are modernly elegant and chic with a twist — interesting cuts, dramatic drapes from the back, and layering of different silk fabrics, like crepe de Chine, chiffon and tulle. I’m interested in movement, how the dress follows behind the bride and how it moves along with her when she steps. The most exciting moment is when nature moves the dress organically and you can see it picking-up on the fabrics, especially if there is floral embroidery or metallic. You can feel the opulence of the shimmers, colors.

Where is your inspiration from?

I always start with a memory, an emotion, something I saw from a performance that stuck with me, like Sophia Lucia, who’s this amazing dancer from San Diego; or even music like Abel Korzeniowski, Andrea Bocelli and Katherine Jenkins. These are the things that set the tone. It encourages reflection, inspiration and gives me strength when I’m sketching or designing.

[Sign up for Love Letter and always get the latest in Modern Love, weddings, and relationships in the news by email.]

What is your process?

Once I’m inspired I start sketching, which I do at my dining room table in my apartment, which is near Bryant Park. An image appears in my head when I’m in this place that I’m able to get down. I love creating moments, proportions, and embroidery placement within the gown. Then, I explore fabric options. The actual development happens in my studio. My team includes a seamstress and cutter, a patternmaker, and the head of the studio. We discuss the sketch, and what it means. Digital patterns are created; draping is done on the mannequins. A complete collection can take between two and four months to create.

This year, you did your first set trunk shows. How did they help you in your career?

Trunk shows are wonderful because you interact with brides and the store’s buyer. My first was at Bergdorf in Manhattan. It was 10 days. fashionweek in April and then Neiman Marc, in Dallas, for five consecutive days. It gave people the chance to see my work firsthand. It gave me strength, confidence, and a push for more. I had heard a lot of nos from retailers and other stores, who, during Covid, weren’t saying yes to new designers like myself. Two department stores approached me about being a part of their bridal salon. This made other bridal shops interested in me. It was also a great education to see what brides gravitate toward and what they don’t like.

What was the motivation behind Dreamer’s creation?

Mythology plays an important role in my work. I wanted to create wearable art and modern-day goddesses. Each of the 11 dresses has a name that honors a goddess. There are many silk weights available, including metallic brocades, white and metallic lace, as well as metallic brocades. Some of the designs have intricate, beautiful artwork. Eight of the dresses are white, while three are colored. These were inspired by a trip I took to Provence, France in July. It was the first time I’d been there. The soft blue reminded of the sky. A soft but bold green reminded me of the rolling hills. I was reminded of the sun shining on them by the pastel yellow tulle ball dress.

Why did your collection decide to be shot at the Untermyer Gardens, Yonkers?

It’s the most beautiful place. It’s as mythological as the collection. Both exhibit modernism with a twist. The place is peaceful, serene, and open to the public. Samuel J. Untermyer was the founder of the place in early 1900s. His fascinating story is fascinating. There’s music when you walk in, there are extraordinary flowers and plants, trees, stones, sculptures, columns and waterfalls. I wanted to capture the natural world and how it influences the movement of the dresses.

Do you feel embraced as an Asian-American in the industry?

I’ve always felt supported by the fashion industry. It was difficult and heartbreaking to be an Asian-American during Covid, and to witness all the hate and violence against Asians. Beauty is needed all around the world. That’s part of why I did my collection. I couldn’t stop Asian hate, but I could put something beautiful into the world and let people feel there’s hope, and let the Asian community know they could still accomplish their goals and find inspiration from others, like myself, who were contributing something, and following their dreams during this period.

What is your favourite moment?

When a bride puts on the dress for the first time, she looks in the mirror and places her hand over her mouth. There’s just this silence, which you can feel. Their eyes widen, their expression changes, and then they freeze. When they’re silent, all these thoughts are running through their head. It’s a very powerful moment, which I’m part of and witnessing at the same time.

Source link

Leave a Reply

Your email address will not be published. Required fields are marked *